Thursday, 14 March 2019

Research Log

02) Circles and Curves


Photographers ( added 19/02/19 )

Peter Keetman. I mainly looked at his collection called, A Week at the factory. This is a series of 71 photos on the production line in a Volkswagen factory, Germany, in 1953. All the pictures show the industrial and building process of anything and no matter how small its needed. Most photos have use half tones, the grey tones intermediate between shadow and highlight.



In this photo i like how there is many of the same parts all stacked on top of each other. The pieces making a repeating pattern, with each individual piece having  its own curves due to all the groves.


In this image the framing has allowed the repeating pattern to interlock and create a very dramatic image. The curves formed from this allow the eyes to follow them like sweeping currents, this are leading lines which no matter where you start from in the photo your eyes are swept out of the image.


The curves on this macro image show how each grove and curve is interlocking perfectly with the adjoining piece. The use of black and white photography really brings this to the forefront of the mind and the focusing is so spot on not one piece is blurred.


In the last image i really like how there are many curves in the rods and circles in the wheels. I really like how you can almost in vision how each thing contributes to making the train move forward. The use of black and white photography help emphasis the curves as they are highlighted.

Linda Murdock - Circles, Curves and Arches -- Urban buildings
She is an american photographer from south Texas. Normally taking photos of the birds and wildlife since 2012 when she re-took up bird watching. She started taking photos of circles and curves in 2016 and published about her findings throughout the year in December 2017. 




This photo taken of the Chevron circular elevated walkway in Houston. Due to all the glass int he buildings and walkway it can create a different picture every time as the sky and refection continuously change it. As well as this the walkway itself is acting as a circular frame for the buildings with in it. The angle also creates a lot of distortion of the buildings, with the f stop being 2.8 as written in her notes this explains the high level of distortion.


For the second photo she used a mirror in an antique store in Richmond to frame herself and camera. This allowed her to use the circles in the mirror as wells as the circle lens of the camera. In the photo you can also see that she is taking the photo handheld showing that she was taking this in the moment and that is wasn't set up or expected.


This photo was taken at the picnic shelter in Texas City Dike. The circle in the wall allows framing of the landscape. However for me i would have liked to see how different the photo would have been if the circle was the only thing you could see through to see the landscape be hide it.


The last photo here shows a different way of taking a photo when looking at circles and curves and that is how curves can make aches. In the photo she has taken the photo so you can make out the layers of aches one inside the other reminding me of  Yayoi Kusama, with the difference being that yayoi uses mirrors to create the same type of effect.

Learning and research in composing with circles and curves ( added 26/02/19 )


C - curves
Semi - circles are the most common curves as almost any curve qualifies. 

Arches

They can be found in naturally in rock formations in the right parts of the world. However the most common place to find them are in architecture, if possible you can also take advantage of the repeating curves that are normally used. 

S - curves

These curves are known to create a sense of depth allowing the eye to move back and forth through the image. They can be found in the natural flow of a river, winding road or pathway.

Circles

They can be found in nature from ripples in water, eg a pond. However they are mostly found in man-made objects, were you can find compositions that combine multiple curves. These are normally used to frame something.

Implied curves

These are the most effective use of curves. They are formed when the objects imply the shape however it has to be composed well to make the elements from the recognisable shape. 

Photographers ( added 15/04/19 )

Moholy Nagy - Abstract

Moholy is a Hungarian painter and photographer and he was always being experimental in his different fields. He was born in July 1895 and passed in November 1946, during his adult life his work was at the forefront of abstraction. Where he would be experimenting with light, space and form gaining the international attention.



In the first photo i like the big dark curve that pulls you into the bottom of the image and then in and up round and out the top. This leading line is makes you stop in the white circle so you can take in the photo but it allows the view to be carried through the image seamlessly.


In this image the photograph has used a long shutter speed and light in order to create the ling of light. This makes the image rather chaotic however its also quite hypnotic as well. The curves in the lines lead you all of the picture, almost like your going to get lost with in it.


In this image i like how the curves all over lap and where there is and over lap the way the image was edit, they have made it dark. This touch and attention to detail forces the viewer to look at the image more finding all the other at first not visible shapes hidden all in the curves.


In this image i really like how in this image it is similar to the second image however in this one it has the splash of red where in the other it had blue. Though in this one it reminds me of fire bursting forward and all the life and curved / twisted lines are the smoke coming off the flames.

Edward Weston - Still Life
He was a American photographer in California, becoming well know for his work on surrealism in photography. His series between 1886 and 1958 is the one shown below where he used fruits and vegetables at different angles and a different ways so at first you wouldn't know what they really where.



In this first image it reminds me of a tree with the centre of the cabbage being the bark and the crumpled leaves are the shape and expanse of the canopy of the tree. The darker spots remind me of how in some areas the foliage is denser than in other.


For the this second photo i have no idea what the image is actually of however it reminds me of like a snail of slug and that makes me as a view uncomfortable and grossed out as it reminds me of slime.


In the final image it looks like the flamingo ornaments that you can get that you put in the lawn. As well as this it reminds me of how they are in love making the image rather romantic. However the image is of the steam / stork of pumpkins.

Joseph McMillian - Marco Photography Portrait  
He is a USA photographer based out of Austin, Texas and specialises in portraits. He also experiments with Macro and Landscape photography. His work is based on trying to show facial structure and how that changes in expressions and angle change.



In the first image the photographer is using the camera to show the shape of the eye and eyebrow, how the eyebrow is a C curve and the eye is constructed out of different almost circular shapes. The use of the Macro camera has brought in high definition to the eye allowing sharper focus on the subject.


In the next image you can immediately tell that the focus of the image is the structure of the face and that the make up is there to highlight the features more. This allows the curves of the lips and eye, even the eyebrow to standout more and create the definition and sharpness needed.


In the final image the lighting is how the main focus is highlighted to the viewer. In this image the photographer has got the whole face in the frame however by using light has obscured the edges bring higher and sharper definition to the section that has been highlighted.  


Work Record 2

Plans for shoot : discuss what you planned to do and resources / techniques you will use

For this shoot i wanted to look at interlocking features like cogs. In order to do this i used old pocket watches and the college macro camera as my camera doesn't have a macro lens and i couldn't get as close as i wanted. As well as the i used the light on my photo with a piece of card board over the light with a small hole in it to make a spot light. I did this because i wanted to play with the light with the gold watch as i could get the colour to reflect how i wanted it i had a spot light small enough.

Resources:
- Tripod
- Macro camera
- Snoot (made via using my phone camera and card board to make it a small enough directional light)

Techniques:
- Marco photography

Research influence:
The artist that influenced this shoot was Peter Keetman and his series a week that the factory. I liked how when he took the picture of the screw up close allowed the way the curves ran into each other almost interlocking. As well as this i liked the train wheels and how all the circles were connected and how you can almost imagine how the train would be running and how would all be working to move the train in the chosen direction.
This made me think of cogs inn clocks and how they work in the same way. The circle turn and as a result turns other pieces and this creates the movement of the hands on the face of the clock.

Contact Sheet







Image Bank ( 5 images )


I choose this image as its a clock face as well as have a multi circular surface with many different over lapping circles.


This image was picked as i like how it showed each individual cog. This shows the individual cogs and how each one looks different in shape and size. As well as this the photo also shows how the cogs all work together.


I choose this image as its just the clock face and i like how there is nothing but the face of the clock, i also like the fact the face is round but the numbers when licked would also make a circle.


I put this photo in this series as it shows the interlocking parts and also has a gold touch giving me an idea for how i could photograph the gold pocket watch.


The last photo was added too remind me to look at photographing the clocks in a different way. An example is like in this photo to look at different angles.

Best Photos


I like how in my first photo i didn't have the whole clock face within the frame. As well as this i like the contrasting black numbers and white face. This allows all the curves in the numbers to show up better.


In the second photo I like how the foreground is blurred and the background shows the multiple rings of the spring work system. The rings being broken by the bar in the way makes them curves but also suggesting there circles.


In this photo its similar to my first one however its slightly more zoomed out so you can get more in making it easier to imply the size. However i also like how i have angled the watch as a result you can start from the bottom left corner, which starts out of focus and work down the face, where is comes into focus.


I really like how in this photo ive zoomed in as close as i could using the macro camera and frame the two similar cogs interlocking together. This photo was really inspired by Peter Keetmn and the screw image he took, were the curves all interlock.


In this photo i really like how face on this photo is, as well as that i like how i've kept the colours reasonably similar. Also with in the photo i like how the pattern on the metal work continues the curve of the gold cog, to make an almost complete circle.


For this photo i wanted the main focus to be the gold cog piece in the middle. I used that as my focus point. Then using my phone i aimed the light to reflect off the gold back case, creating the golden glow.



In my final photo i really like how i made the golden cogs curve really stand out. I like how it draws the main focus of the photo and allows you move around the photo by following the split up curve. This inspiration came from Peter Keetman and his train were you can see all the different pieces but and follow everything though the main focus.

Needs Improvement


This first photo is to dark, i have the aperture setting wrong as a result the film didnt get enough light. If i would change the aperture and also centre the grip.


Within this photo i don't like how i framed it, also the focus is slightly out and nothing is completely in focus. I think that the shutter speed was to low in this photo making the photo to bright and the contrast isnt as effective as it could be.


In the third photo the shutter speed was to fast resulting in the photo being to dark. The foreground also looks like it is out of focus and i cant reallt tell if any of the rest of the photo is actually in focus.


In the last photo i like the framing however the focus is rather off. The lighting is good however if i was to retake i would double check my focus and maybe change the framing slightly by moving downward by a millimetre or 2.

AO3 - Record ideas, observations and insights relevant to intentions, reflecting critically on work and progress

I like how in my first photo i didn't have the whole clock face within the frame. As well as this i like the contrasting black numbers and white face. This allows all the curves in the numbers to show up better.
In the second photo I like how the foreground is blurred and the background shows the multiple rings of the spring work system. The rings being broken by the bar in the way makes them curves but also suggesting there circles.
In this photo its similar to my first one however its slightly more zoomed out so you can get more in making it easier to imply the size. However i also like how i have angled the watch as a result you can start from the bottom left corner, which starts out of focus and work down the face, where is comes into focus.
I really like how in this photo ive zoomed in as close as i could using the macro camera and frame the two similar cogs interlocking together. This photo was really inspired by Peter Keetmn and the screw image he took, were the curves all interlock.
In this photo i really like how face on this photo is, as well as that i like how i've kept the colours reasonably similar. Also with in the photo i like how the pattern on the metal work continues the curve of the gold cog, to make an almost complete circle.
For this photo i wanted the main focus to be the gold cog piece in the middle. I used that as my focus point. Then using my phone i aimed the light to reflect off the gold back case, creating the golden glow.
In my final photo i really like how i made the golden cogs curve really stand out. I like how it draws the main focus of the photo and allows you move around the photo by following the split up curve. This inspiration came from Peter Keetman and his train were you can see all the different pieces but and follow everything though the main focus.

AO2 - Explore and select appropriate resources, media, materials, techniques and processes, reviewing and refining ideas as work develops

I used the college Macro camera set to manual and i also set the focusing lens to manual as well. This allowed me to create the effects i wanted, were i may want the foreground to be out of focus. When shooting i used a shutter speed around 1/80 - 1/125, F stop 6 - 8 and ISO 200.

AO1 - Develop ideas through sustained and focused investigations and informed by contextual and other sources, demonstrating analytical and critical understanding.

For my photos i imported them into Photoshop then i used curves and the brush tool too have either the foreground or the background darker than the other, creating depth and focus in my photo. The idea of this comes from Peter Keetman and his work as i didn't like the photos in black and white but still liked how he had the subject highlighted. As a result i used this to create the same effect by having the section i wanted the focus on to be lighter than the rest.




So in the first photo i brightened the whole image and then darkened the right hand side as i wanted the ringed spring to be the focus. This screenshots  where taken using the snipping tool.



For the next example i again lighten the whole image however instead of darkening the foreground, i darken around the cogs. This makes them stand out more and makes the large silver cogs stand out more which i really like.

AO4 - Present a personal and meaningful response that realises intentions and, where appropriate, makes connections between visual and other elements.









Progression: you must refer to what you will do next to improve on either the shoot you have done or how you will develop your project in the next shoot.

For my next shoot i am going to look into framing and angles, this is because in this shoot i didn't have much to work with however i liked having the one thing consistent. So int he next shoot i am going to use a mirror ( round ) to be the thing that is consistent, but i can have more to shoot as the reflection can be almost anything.

As this is moving off the idea of how things work i think i would be more intresting to look at the things people use and look at everyday. This still links with both these work records so far as people use these things everyday. As a result i am going to change my title to ' The Everyday'.